

A Portraits
Window light and ring lights leave a hard edge down one cheek. The pass evens the falloff and keeps the nose and chin shadows that give a face depth.
Erase harsh shadows from faces, backgrounds and product shots. 2 free a month, then from $4.90.

Ready. Drop a photo or pick an example — you get a before/after you can download.
Each preset is tuned for a different failure mode. Left frame is the original, right frame is the output.


Window light and ring lights leave a hard edge down one cheek. The pass evens the falloff and keeps the nose and chin shadows that give a face depth.


Marketplace listings get rejected for grey, uneven backdrops. Product mode flattens the sweep behind the object without eating its edges.


Phone scans carry your own shadow across the page. Document mode rebuilds the paper white so OCR and printers stop choking on it.


A shadow on the backdrop is the most common ID rejection there is. Passport mode clears the wall behind the head and holds the background neutral.
Three steps. Nothing to install, no card, and the free plan covers 2 photos a month.
Drag in a JPG or PNG. Nothing is stored — the file is processed and discarded.
→ Nothing is written to disk
Shadows are detected and removed while original texture and colour are preserved.
→ Texture and colour stay put
Slide to compare before/after, then download the full-resolution result.
→ 10–30 s per photo
Side light from a single window is what carves a hard shadow down one cheek. Face it instead of standing beside it.
A metre of gap between you and the backdrop is enough to drop the head shadow behind you — the top reason ID photos get rejected.
On-camera flash flattens the face and throws a hard outline. Bounce it, or shoot in open shade instead.
Photographing a page at an angle puts your own arm in the frame. Hold the phone parallel to the paper.
Four jobs where a shadow costs money — a rejected listing, a rejected passport, an unreadable receipt.
Harsh window light and nose shadows on faces.
Most rejections are caused by shadows on the face or backdrop.
Remove the shadow the phone casts across the product.
Flatten the shadow your hand casts when photographing a page.
A shadow is rarely just cosmetic — in each of these it costs a re-shoot, a re-application or a lost sale.
If yours is an ID photo, the passport photo shadow guide walks through the official backdrop rules as well. For bright reflections rather than dark patches, use the glare remover instead.
Search “how to remove shadows in Photoshop” and you mostly get hour-long dodge-and-burn tutorials. Your phone’s eraser has its own ceiling. If you just want the shadow gone, this table should help you pick a lane — including the cases where you should not use us.
Short version: if you need one shadow gone and you are not a retoucher, start here. If the shot matters enough to warrant an hour of masking, Photoshop still wins on control.
Not every dark patch is the same problem. Knowing which one you are looking at tells you whether a slider will fix it — or whether the area has to be rebuilt.
A hard-edged shape thrown onto a wall, table or backdrop by something outside the frame — you, a lamp, a window frame. The edge is sharp and the shape is recognisable.
Slider fix? No. Lifting exposure just makes a grey patch with the same outline.
Light from one side carving a dark half down the nose, under the chin or across one cheek. Common with a single window, midday sun or a hat brim.
Slider fix? Partly — but you lose skin texture and the face goes flat before the shadow leaves.
An uneven backdrop: darker on one side, or a halo behind the head from standing too close to the wall. The subject is fine, the wall is not.
Slider fix? No. A global lift brightens the subject too, and the gradient stays.
A page photographed by hand: one corner in shade, a soft gradient across the paper, sometimes the outline of your own arm over the text.
Slider fix? Rarely. Push it far enough to clear the shade and the text starts blowing out.
Four things cause almost every unwanted shadow in a phone photo. Two of them you can avoid next time; two of them you usually cannot.
Midday sun is a small, hard light source directly overhead. It carves shadows under the brow, nose and chin, and it does it fast — a cloud passing overhead changes the whole frame.
Avoidable — move into open shadePhotographing a document, a flat-lay or a product from above puts your own body between the lamp and the subject. Your outline lands right in the frame.
Avoidable — shoot from the side of the lightMost rooms are lit by a single source. Anything lit from one side has a dark side, and standing near a wall puts a second shadow behind you.
Hard to avoid indoorsHolding a phone close over a page blocks the light with the handset and your hand. On-camera flash does the opposite — it flattens the face and throws a hard outline behind it.
Hard to avoid handheldIn some places a shadow is not a matter of taste — it fails a rule, and the submission bounces back.
Most authorities require a plain background, evenly lit, with no shadow across the face and none behind the head. Standing too close to the wall is the single most common cause of a rejected application.
Fix a passport photoAmazon and several marketplaces expect a clean white background on the main image. A sweep shadow at the base of the product reads as a dirty background and can hold up the listing.
Clean a product shotUploaded contracts, IDs and forms get read by a person or by OCR. A shadow across the page lowers contrast exactly where the text is, and the upload comes back as unreadable.
Flatten a documentFour claims. Every one of them you can check yourself, right now.
Tint and Red-eye run entirely inside your browser. Switch off your wi-fi, reload the page and use them again — they still work. Nothing ever reaches a server, so there is nothing for us to keep.
Shadow, glare and passport need a server to run. The image is processed in memory and dropped the moment the result comes back. Not written to disk, not used for training, not shared.
The AI tools cost real money per image, which is why the free plan is only 2 a month. We would rather tell you the actual reason than pretend the limit is a feature.
No watermark, no reduced resolution, no locked download button at the end. What the free tier produces is the same file a paid plan produces — you just get fewer of them.
Two free AI runs a month to see if it works on your photos. The two browser tools really are unlimited and free forever — they cost us nothing.
4.90/ month
Billed $58.80 annually
9.90/ month
Billed $118.80 annually
24.90/ month
Billed $298.80 annually
Free plan: 2 AI photos a month with a one-click Google sign-in, no card — and the tint and red-eye tools are unlimited on every plan, because they run in your browser. See the full comparison →
Everything people ask before they upload the first file.