Glasses glare
Reflections hiding the eyes behind spectacles.
Kill flash reflections, glasses glare and sun blowouts without flattening the whole frame. 2 free a month, no watermark, no card.

Ready. Drop a photo or pick an example — you get a before/after you can download.
Three steps. Nothing to install, no card, and the free plan covers 2 photos a month.
Works best on the original, unedited file.
→ Unedited files work best
Reflections are detected and the detail underneath is reconstructed.
→ Detail is rebuilt, not blurred
No watermark.
→ No watermark
Side light from a single window is what carves a hard shadow down one cheek. Face it instead of standing beside it.
A metre of gap between you and the backdrop is enough to drop the head shadow behind you — the top reason ID photos get rejected.
On-camera flash flattens the face and throws a hard outline. Bounce it, or shoot in open shade instead.
Photographing a page at an angle puts your own arm in the frame. Hold the phone parallel to the paper.
Four places glare ruins a shot — glasses, screens, glossy packaging, wet roads.
Reflections hiding the eyes behind spectacles.
Hot spots on skin, glass or laminated surfaces.
Blown-out patches from shooting into the light.
Glare hides detail rather than darkening it, so brightening the photo never brings it back.
Glare and shadow are opposite problems, so they get different tools — if what you have is a dark patch rather than a bright one, use the shadow remover. Flash also causes red-eye, which is fixed free in your browser.
Glare is harder than shadow: the detail is not dark, it is gone. Search “remove glare in Photoshop” and you get clone-stamp tutorials that rebuild the area by hand. Here is where each approach actually lands — including the cases where you should not use us.
Glare hides detail rather than darkening it, so a brightness slider never brings it back. Which kind you have decides whether the area can be recovered or has to be rebuilt.
Two bright rectangles sitting over the eyes, usually the window or a softbox reflected in the lenses. The eyes behind them are completely gone, not just dim.
Slider fix? No. There is no darker version of the eye underneath to recover — the pixels are blown to white.
A bright circle on a forehead, cheek or glossy package where on-camera flash bounced straight back. The centre is pure white with a soft falloff around it.
Slider fix? Partly. Pulling highlights down leaves a grey disc with the same shape.
A phone, monitor or picture frame photographed at an angle, with the room mirrored across it. Two images are stacked in the same pixels.
Slider fix? No. The reflection is added light, not lost light — no exposure change separates the two layers.
Shooting toward the sun washes the whole frame with a milky veil, sometimes with coloured rings from the lens elements. Contrast collapses everywhere at once.
Slider fix? Sometimes. Adding contrast helps a hazy frame, but does nothing for the flare rings.
Four claims. Every one of them you can check yourself, right now.
Tint and Red-eye run entirely inside your browser. Switch off your wi-fi, reload the page and use them again — they still work. Nothing ever reaches a server, so there is nothing for us to keep.
Shadow, glare and passport need a server to run. The image is processed in memory and dropped the moment the result comes back. Not written to disk, not used for training, not shared.
The AI tools cost real money per image, which is why the free plan is only 2 a month. We would rather tell you the actual reason than pretend the limit is a feature.
No watermark, no reduced resolution, no locked download button at the end. What the free tier produces is the same file a paid plan produces — you just get fewer of them.
Everything people ask before they upload the first file.