Duotone and colour washes
Give a photo a single-colour mood for a poster or slide.
Wash a photo in any colour. Runs entirely in your browser — the image never leaves your device.

Ready. Drop a photo or pick an example — you get a before/after you can download.
Three steps, all of them on your own device. Nothing to install, no account, no upload, and no monthly cap.
It stays on your device. Nothing is uploaded to a server.
→ Never leaves your browser
Preset tints or a custom colour, with a strength slider.
→ Live preview, re-adjust freely
Images up to 4000 px come back at their original size. No watermark, no account, no monthly cap.
→ Up to 4000 px, no cap
Four ways a colour wash earns its keep — mood, brand, nostalgia, cohesion.
Give a photo a single-colour mood for a poster or slide.
Push an image toward your brand colour before dropping it into a deck.
Warm amber tint for an aged photo feel.
Cool a daylight shot toward evening.
A tint is the fastest way to make a mixed set of photos look like they belong together.
Two more tools run the same way, entirely on your device: the red-eye remover is free and unlimited too, while removing a shadow needs the AI and a sign-in.
Tinting a photo is a two-minute job in almost any editor. What differs is how much you have to install, how much control you get, and whether the file leaves your device — including the cases where you should not use us.
A colour wash works with the tones already in the photo, it does not replace them. What you start with decides whether the result reads as a look or as a mistake.
Overcast portraits, product shots on a sweep, scanned documents. There is no strong colour already fighting you, so the tint lands cleanly across the whole frame.
Works? Best case. Any colour and strength holds up.
A monochrome image is the classic duotone base: the tint maps straight onto the existing tonal range without competing with any hue.
Works? Yes — this is what duotone was invented for.
A red jacket, a blue sky filling half the frame. The tint has to fight an existing hue, and at high strength that subject turns muddy before the rest of the image shifts.
Works? Keep the strength low, or the dominant colour goes grey.
A cut-out PNG with an alpha channel. The tint is painted across the whole canvas, so fully transparent areas come back carrying a light wash of the colour.
Works? Flatten onto a background first if the transparency matters.
Four claims. Every one of them you can check yourself, right now.
Tint and Red-eye run entirely inside your browser. Switch off your wi-fi, reload the page and use them again — they still work. Nothing ever reaches a server, so there is nothing for us to keep.
Shadow, glare and passport need a server to run. The image is processed in memory and dropped the moment the result comes back. Not written to disk, not used for training, not shared.
The AI tools cost real money per image, which is why the free plan is only 2 a month. We would rather tell you the actual reason than pretend the limit is a feature.
No watermark, no account, no locked download button at the end. This tool runs on your own device, so there is no quota to run out of and nothing to upgrade to — images up to 4000 px come back at their original size.
Everything people ask before they upload the first file.